Motion
Motion breathes life into our brand, adding a new dimension to our personality. Every movement should distinctly feel like Klarna.
Motion principles
Motion at Klarna is guided by three interconnected principles that should always work together to define how we move, feel, and communicate. The best work balances all of these three principles:
Simple
Motion should be crystal clear and easy to understand. Every single movement serves a specific visual or communicative role, and must always feel elegant and streamlined.
Purposeful
Motion should drive meaning by highlighting key elements and helping viewers focus on what matters. Well-timed animations guide attention, clarify messaging, and improve usability. They lift what’s important, and don’t compete for attention.
Playful
Motion should feel human and bring warmth, adding a spark without feeling forced, cartoony or exaggerated. Small, thoughtful details give Klarna its unique character, and this playfulness should be confident and intentional.
Badge
A motion badge is our main logo animation, ideal for most productions. It’s consistently used at the start, end, or both ends of each video to ignite the narrative.
STANDARD
To be used in shorter formats, revealing the badge quickly. This approach should be more simple.
Animate in
Quick reveal.
Attention bump
Draws attention to the badge.
SPECIAL
To be used when there is more time, allowing the content to be more playful.
Spinning badge
Quick reveal.
Spinning badge zoom
Slower and more playful.
Wordmark
A motion wordmark is for scenarios where our badge animations might not be suitable, such as situations where there’s a pink background with pink imagery.
Standard
To be used in shorter formats, revealing the badge quickly. This approach should be more simple.
Special
To be used when there is more time, allowing the content to be more playful.
Typography
Motion typography comes with a handy collection of pre-made text animations. Choose what to use based on the message, format, duration, and context. While you can mix and match between the presets, don’t overdo it and always keep simplicity in mind.
PRESETS
Push by word
Scroll
Zoom in
Push by line
Special
Attention bump
Some productions require an attention bump mid-way through the animation. By animating the header out and matching it with a simultaneous in-animation, we create an effective attention-grabbing effect.
Custom text animations
Sometimes custom typography animations are needed for specific projects, which call for an extra layer of playfulness. When an animation goes outside the four presets, it must still always align with our motion principles.
Transitions
Simple cut
Offers straightforward, fast and effective transitions for most productions.
Match cut
Builds on a simple cut, linking two sequences together with similar motion.
Preset
Although simple cuts and match cuts are very effective in most cases, some productions call for longer transitions. These can be used for an example in long sequences to break the monotony of only using cuts. Should be used sparingly.
Badge transition
Provides an impactful way to transition into the badge from the main content, also serving as an effective outro.
Scroll
A useful way to add dynamism and playfulness, but should be used sparingly.
Swipe
When using transitions in our grid: 1. Make sure the footage pushes objects and doesn't overlay them. 2. Position graphic elements under the footage, gradually revealing them for a stronger visual impact.
UI animations
We use the Material 3 Standard easing set as the primary reference for UI animations. For more details, check out the Material 3 motion page.
Standard
Standard accelerate
Standard decelerate
Misuse
Here’s what to steer clear of when creating animations.
Don’t use out animations. Generally there’s no need for this and it detracts valuable time from the message.
Don’t use cartoony animations. While they seem fun, they lack professional tone and don’t align with the brand.
Don’t compete with the content. While animation usually enhances the message, clarity is more effective.
0
0
0
0